Professional Film vs Consumer Film – What’s The Difference

Written by Craig Fouché
5 Aug, 2016

Professional Films vs Consumer Films

By Jim McGee

In general professional film have more saturated colors and finer grain than consumer film.

But photographers are often surprised to learn that many professional films have consumer counterparts that have identical emulsions. The difference in name and price refers to the quality control of how that film is produced and handled before it gets to you.

Kodak ColorPlus 200

Kodak ColorPlus 200

Professional photographers need to know that a given emulsion will always produce the same results with no surprises. This can be particularly important for catalog and fashion photographers where accurate color reproduction is a must.

Film ages. That can lead to subtle differences in shades and grain. Imagine a fashion photographer shooting for a magazine layout. Let’s say he shoots fifteen rolls of film with a model in several locations. Now imagine if the model’s dress is a different shade of blue from one roll to the next. You’ll have an unhappy editor and a very unhappy photographer (because he’ll have to re-shoot the layout).

Fuji Natura 1600

Fuji Natura 1600

Film also has a peak where the colors are the most vibrant and accurate. Refrigerating film dramatically slows the aging process and preserves the film at it’s peak. Professional film is manufactured to tighter tolerances and is kept refrigerated from the time it is produced until it reaches the photographer. The idea is that by slowing the aging process and manufacturing to tight tolerances you are assured that every roll of brand X pro film will produce results exactly like every other roll of brand X pro film.

Fuji Professional Films

Fuji Professional Films

In reality today’s films are much more accurate and temperature tolerant than the films of yore. They also age better with fewer noticeable shifts in color, contrast, and grain. Films like Fuji Superia and Press are identical emulsions. The difference is in the handling. The same is true of some slide films. Kodak Ektachrome 100 ExtraColor and Kodak 100VS for example, are the same emulsion.

Whatever film you buy it’s a good idea to throw it in the back of the fridge if you won’t be using it for a while. This slows the aging process and assures that you’ll get the best performance from your film.

 


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A curated series of film and digital photography workshops will be released throughout the year. Early enquiries are welcomed, with forthcoming dates to be announced.

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If you like what you see, do get in touch with me and book your studio or outdoor shoot, either on film, digital or both.

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About Me

I’m a passionate photographer based in the Western Cape Winelands, South Africa, working both locally and internationally. I specialise in a wide range of photographic genres, and I work with both digital and traditional film formats — including 35mm, 120, 127, 4×5″, 4×10″, 5×7″, 8×10 and 7×17″. My love for photography runs deep, and I’m dedicated to capturing the essence of every subject, whether in the studio or out in the field.

As a registered member of Nikon Professional Services (NPS) and a contributor to Nikon South Africa’s social media platforms and website, I’m proud to be part of a network that values photographic excellence.

My work has been published in several leading South African publications, including:

  • Atlantic Gull Magazine (cover feature)
  • SA4x4
  • HIGH LIFE (British Airways Magazine)
  • Getaway Magazine
  • Wildside Magazine
  • Weg! / go! Magazine

I was honoured to be named a Top Ten finalist in the 2016 Getaway Magazine Gallery Competition, receiving a Highly Commended distinction. My video work has also been featured by the national broadcaster eNCA.


Stay Connected

If this piece resonated with you, I invite you to share your thoughts or pass it along to someone who values thoughtful, timeless imagery. You can follow along via the links below or A Curated Window into Craig Fouché Photography newsletter for occasional insights, new releases, and behind-the-scenes glimpses into my process.

Thank you for taking the time to engage with my work—and for supporting a slower, more intentional way of seeing — and for valuing imagery with soul.

Until next time.


CRAIG FOUCHÉ

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